A verdant garden in Corfu which works in harmony with its environment

With spectacular views across to Albania, the verdant setting of this converted farmhouse on Corfu is testament to garden designer Jennie Gay’s philosophy of working in harmony with the environment

Framed by tall columns of cypress and a group of multi-stemmed olives, the sun sets over the pantiled roof of the old olive-press barn, illuminating the spiky foliage of Miscanthus sinensis. Rosemary, pink rock rose, and yellow Phlomis ‘Le Chat’ thrive in a bed beside the circular thyme lawn.

Clive Nichols

Corfu is known as the Green Island, which is a reference to the fact that it rains more than you would think – its average annual rainfall is nearly twice as much as London’s. However, it rains pretty steadily throughout the year in London, whereas in Corfu the heavens open with increasing abundance from autumn through to late spring, and then hardly at all from May to September. But the autumn rains wake up plants and bulbs from the scorch of summer, creating an exciting second spring of growth and flowering.

Designer Jennie Gay has been a gardener and designer in Greece for 23 years and knows the country’s climatic tricks; Corfu has a few extra ones up its sleeve, such as high humidity, sweltering summers and potential sub-zero lows in winter. ‘Establishing a garden there is much less forgiving than in the UK, because the hot, dry summers take no prisoners.’

An area of the old olive grove, which Jennie and her team have pruned over the years to restore its three-centuries-old olive trees back to good health. In spring, the grass is carpeted with a glorious mix of plants, including pink pyramidal orchids, blue borage and viper’s bugloss, red-flowered hawk’s beard, sun spurge, yellow Greek mullein, purple vetch, Anthemis chia and Orlaya grandiflora

Clive Nichols

A winding path of brick setts, softened by generous mounds of drought-tolerant plants, leads through a pair of reclaimed stone pillars, which Looby found in Gloucestershire and had shipped to the garden. On the left, a Morus platanifolia rising from a sea of silvery-leaved Teucrium fruticans is complemented by an almond tree of a similar size on the right, underplanted with Lavandula dentata var. candicans and Lavandula x ginginsii ‘Goodwin Creek Grey’.

Clive Nichols

Jennie has worked on the garden at Agnos House, which belongs to the London-based interior designer Looby Crean and her husband Paul, for 10 years and has helped create a place where nature is allowed to have her head without losing the balance required of a garden. Agnos (‘pure’ in Greek) is 450 metres up a steep hillside in the north-east corner of the island, with views over to the mountains of Albania.

The Creans first saw the tumbledown farm and olive press in 2000, when they were holidaying on the island with their young family. ‘We loved it so much that I contacted a local estate agent to say that if anything came up in the area, we’d be interested,’ recalls Paul. The couple did not expect things to happen fast – this is Greece, after all – but within weeks the farm was for sale and they bought it. ‘We wanted to keep the spirit of the place,’ says Looby. ‘The man who farmed here, Pipis, had been vital to the community in the war and later brought up four daughters here single-handedly. We wanted to respect that.’ The house and garden together create a space that feels well loved, not just one that is visited occasionally.

The infinity pool looks onto a restful view, where an interesting mix of form, texture and colour is provided by an orchard of almond, fig, quince and pomegranate trees interspersed with dark cypresses and native Mediterranean trees, including the rich-hued Pistacia terebinthus.

Clive Nichols

Jennie extended the scope of the garden in a series of interconnected rooms, encompassing the land around the house, through which to stroll on evenings when the cicadas sing and the air is cooler. Overgrown trees, including pomegranates, olives and figs, were pruned to allow the elemental feeling of the mountains, sea and sky into the garden. The abundant wildflowers of the dazzling Corfiot spring, such as wild carrot (Daucus carota) and honesty (Lunaria annua), are allowed to mature into seed heads without the usual strimming as soon as they finish flowering. This may sound a small thing, but in a land where the whirr of a motor is never far away, a certain wildness is a major change in approach. The Creans have incorporated three water tanks under the buildings, so that the garden can be irrigated fortnightly in summer, although Jennie encourages plants to deep root and find their own water. This approach is rare in Corfu, where daily summer watering is often the norm.

Looking across a shaped Arbutus unedo to the mountains of Albania. In the foreground, white valerian repeat flowers all summer long and attracts a mix of pollinators.

Clive Nichols

Limestone walls contour a steep bank, leading the eye to the pale farmhouse and an elegant olive tree beside it. Terraces created by the walls are planted with drought-resistant species, including creeping rosemary and daisy-like Erigeron karvinskianus.

Clive Nichols

Around the house, the sinuous silhouettes of evergreen drought-tolerant plants, such as lavender (Lavandula x ginginsii ‘Goodwin Creek Grey’) and creeping rosemary, snake over white limestone walls. Jennie makes use of more classic dry-gardening perennials and shrubs, such as airy beeblossom (Gaura lindheimeri), the mauve long-flowering orchid-like Tulbaghia violacea and Russian sage (Perovskia ‘Blue Spire’), which flower repeatedly over the hot summers. ‘In the UK, you wouldn’t cut back these plants in July but, here, reducing them by about a third at this time and deadheading regularly encourages fresh growth and keeps them blooming for longer,’ she explains.

Last summer, the devastating wildfires that broke out on Corfu concentrated Jennie’s thoughts about what she could do to make her gardens even more resilient to climate change. Properly managed landscapes that work with nature and not against it can be part of the solution. ‘We need to accept natural process rather than perfection all the time,’ she observes. Fortunately, in Looby and Paul, she has clients who understand this from not only an aesthetic perspective but also an environmental one.

Jennie Gay: medlandscapes@gmail.com. Agnos House is available to rent through Scott Williams: scottwilliams.co.uk